Winning In Sync is a step-by-step digital self paced video program that teaches independent producers, artists, and songwriters how to land sync placements in film, TV shows, advertisements, and other media.

Inside the program, Marina shares the exact system she used to land 100+ placements independently — without a label, manager, or industry connections.

You’ll learn how the sync industry works, how to write music supervisors actually want, and how to pitch your music professionally so it gets considered for placements.

Winning In Sync is designed for:

• producers
• songwriters
• artists
• composers

who want to earn income from their music through sync licensing.

It’s especially powerful for Polymath Producers who can already create broadcast-ready music across the full production chain.

You do not need a record label, manager, or industry connections to start.

Winning In Sync covers the entire sync licensing process, including:

• how the sync industry actually works
• how music supervisors find music
• how to build a sync-ready catalog
• writing songs that get placements
• metadata and catalog organization
• pitching music to agencies and supervisors
• building collaboration teams
• contracts, splits, and royalties

You’ll also get real examples of briefs and placements Marina has received.

Winning In Sync is a digital video program.

After purchasing, you’ll receive immediate access to the training along with all included bonuses, templates, and resources.

You can watch the program at your own pace and return to the material whenever you need it.

Most students complete the core training in a weekend to a few weeks, depending on how quickly they move through the material.

However, the goal is not just finishing the course — it’s applying the system to your own music catalog.

Many students return to the material repeatedly as they begin pitching music and building their sync catalog.

Winning In Sync teaches the exact strategies and workflows used by professional creators in the sync industry.

While no program can guarantee placements, the system gives you the tools, knowledge, and strategies that significantly increase your chances of landing placements.

Many producers simply don’t understand how the industry works — this program shows you exactly how to navigate it.

No.

Music supervisors care about great music that fits the scene, not how many followers you have.

Many sync placements come from independent creators working out of home studios with small audiences.

What matters is:

• the quality of your music
• how well it fits the brief
• how professionally you pitch it

Yes.

The program starts with sync business fundamentals and builds step-by-step from there.

If you already produce music, the system will show you how to turn that music into potential sync opportunities.

If you still can't produce the entire production chain as a Polymath Producer, you can temporarily fill in those parts you can't do with a team which this program shows you how to build.

That’s exactly what the program teaches.

You’ll learn how to analyze briefs from music supervisors then either:
1. Write and produce songs designed for sync placements

or
2. Pitch your existing music catalog that fits the brief

Many producers already have songs that could work for sync — they simply don’t know how to position them.

You receive full access to the program and resources after purchase for a minimum of 2 years or the lifetime of the programs existence.

You can revisit the material whenever you want as you build your sync catalog and begin pitching your music.

You're eligible for a full refund if you request it within 7 days of purchase and have completed less than 25% of the course. To request a refund, email [email protected] with your order number and reason. Refunds are processed within 30 business days to your original payment method. Processing times may vary by bank.

Because this is a self paced video program with all information needed available to get the results, there are no further support options. If you struggle to get into the program for tech reasons, contact [email protected].

Yes.

Many successful sync creators work independently and build relationships directly with agencies, libraries, and supervisors.

Winning In Sync shows you the paths Marina used to build those connections and start landing placements.

Many genres work in sync licensing including:

• pop

• Hip Hop
• indie
• cinematic
• electronic
• rock
• instrumental production music

The key is understanding what supervisors are looking for and how to position your music correctly, which the program covers in detail.

Being a Polymath Producer you have an advantage because you can transcend genre and create anything.

No.

Many successful sync creators produce music from home studios or bedroom setups.

In fact Marina landed the "Let Me Go" placement that got streamed 100 million times on "Love Is Blind", and that was the first song she ever recorded from her bedroom studio.

What matters most is musical quality and production clarity, not expensive gear.

That’s a huge advantage. You could be sitting on a gold mine.

Winning In Sync shows you how to:

• organize your catalog
• add metadata
• identify songs suitable for sync
• start pitching them professionally

Many placements come from existing songs.

Sync fees vary depending on the project, usage, and distribution.

Placements can range from hundreds to thousands of dollars per license, with additional potential income from royalties depending on how the music is used.

Because one song can be licensed multiple times, a single track can generate income for years.

This special price is available only to Polymath Producer readers.

Because you already understand the language of music production, you’re in a unique position to apply the sync strategies Marina teaches.

Once you leave this page, the discount will no longer be available.